Early Hindi-Urdu poetry emerged around the 14th century. During this time, Hindustan (Northern India) was ruled by the Delhi Sultanate. With Persian as the language of the court and classical poetry at the time, Hindi-Urdu developed as an oral art and as a popular poetry of Delhi.
Written in the Khari Boli (the dialect of Delhi), Hindi-Urdu poetry was rooted in the metaphors and imagery of Hindustan – the rivers and meadows of the countryside, the rainy season, the water pots and bangles of girls about the village. It was recited as riddles and proverbs and sung as women’s folk songs at weddings and as qawallis at the shrines of Sufi saints like Nizamuddin Auliya (1238-1325):
By making me drink the wine of love-potion,
You’ve intoxicated me by just a glance;
My fair, delicate wrists with green bangles in them,
Have been held tightly by you with just a glance.
I give my life to you, Oh my cloth-dyer,
You’ve dyed me in yourself, by just a glance.
I give my whole life to you Oh, Nijam,
You’ve made me your bride, by just a glance.
Hindi-Urdu would not remain confined to Delhi. Beginning in the 14th century, it began expanding with the Delhi Sultanate to different parts of India. In 1297, the Delhi Sultanate annexed Gujarat bringing Hindi-Urdu speakers from Delhi into Western India. The invasion and sack of Delhi by Tamerlane (1336-1405) likewise saw an exodus of Hindi-Urdu speakers out of Delhi into Gujarat.
By the fifteenth century, Gujarat had a substantial community of Hindi-Urdu speakers. It was from the descendants of these migrants from Delhi that Hindi-Urdu produced its first historical poet, Sheikh Baha Ud-Din Bajan (1388-1506).
Born in Ahmedabad, Sheikh Bajan was a prominent Gujarati Sufi poet. He wrote and compiled Sufi poetry in his anthology, Khaza’in-e Rahmatullah (‘Treasures of Divine Mercy’). Written in Indic and Persian metres, Khaza’in appealed to the common man in the style of the Bhakti and Sufi poetry of the day:
There’s a frenzied one,
Openly so; another wanders
The desert, mad, unknown.
One, drunk with love,
Raves and yells,
And another falls
A wandered, with long and
Matted hair, and black
And dark as night;
Another madman gets the
Shivers, shaves his head
And says only Your name.
Other prominent Sufi poets in Gujarat writing in Hindi-Urdu included Shaikh Mahmud Darya’i (1419-1534) and Shaik ‘Ali Muhammad Jiv Gamdhani (d. 1565). Their Hindi-Urdu eventually became known with “Gujari,” a Hindi-Urdu inflected with Gujarati words, phrases and idioms.
Hindi/Urdu Literature in South India (‘Deccani’)
The Daulatabad Fortress
Hindi-Urdu was becoming a cosmopolitan language, transplanting itself in and assimilating itself to the soil of lands far from Delhi. “Gujri” was one such example. Another, was “Deccani,” that Hindi-Urdu of the Deccan which maintained its Khari Boli roots while absorbing words and phrases from languages like Telugu and Marathi.
Like Gujri, Deccani came about through the expansion and conquests of the Delhi Sultanate. In 1327, the Sultan Muhammad Bin Tughluq (r. 1325-51) conquered the Deccan Peninusla and shifted the capital city from Delhi to Daulatabad (present day Maharashtra). In stream upon stream, Delhi’s royal families, armies, traders, administrators and religious preachers flowed into the Deccan.
Crucial to the development of Hindi-Urdu literature in the Deccan was its association with the court. In Delhi, Hindi-Urdu poetry had essentially been the poetry of Sufi shrines and the bazaar. In the Deccan, however, Deccani was patronized as a language of the court alongside Persian. In the process, it absorbed the Persian script, vocabulary and verse forms (like the ghazal and the masnavi).
Deccani began to flourish after the Delhi Sultanate’s withdrawal from the Deccan in 1347. The Bahmani Sultanate (1347-1527) produced some of the first major works in Deccani. For instance, Kadam Rao Padam Rao was written by Fakhruddin Nizami during the reign of Ahmed Shah Wali Bahmani (1422-1436). Written as a masnavi, Kadam Rao Padam Rao is a Sufi-style magical romance on the journey of a king’s soul to salavation.
One of the great poets of Deccani was Muhammad Quli Qutb Shah (r. 1580-1611), a sultan of the Golconda Sultanate. Qutb Shah wrote ghazals on love, nature, music, and the common people. This marked a turn in Hindi-Urdu toward secular poetry in contrast to its largely spiritual and mystical tone hitherto. Quli Qutb Shah continued the tradition of adapting Persian poetry into Deccani, and is credited with writing the first deewan in Hindi-Urdu on the Persian model.
In fact, Quli Qutb Shah may be considered the first major poet in the classical Hindi-Urdu tradition. His more secular style of Hindi-Urdu poetry was adapted and polished by Wali Deccani (1667-1707), setting the standard for classical Hindi-Urdu poetry.
Early Urdu Literary Culture and History (S.R. Faruqi): http://www.columbia.edu/itc/mealac/pritchett/00fwp/srf/earlyurdu/srf_earlyurdu.html