Film Review: “Dheepan”

DHEEPAN_Still

Starring: Anthonythasan Jesuthaasan, Kalieaswari Srinivasan, Claudine Vinasithamby, Vincent Rottiers

Directed by: Jacques Audiard

88%

“Je m’appelle Dheepan.”

Dheepan begins on the twilight of the war in Sri Lanka. Sivadhasan (Jesuthaasan), a Tamil Tiger, mourns a fallen comrade. Yalini (Srinivasan), a young woman, wants to escape as a refugee.  Illaya (Vinasithamby), an orphaned girl, becomes Yalini’s ticket. Sivadhasan, now renamed “Dheepan,” Yalini and Ilaya leave Sri Lanka a “family” for France.

Set in a housing project on the outskirts of Paris and amidst a Balzac-like cast of thugs, gang members and drug pushers, Dheepan is raw, dark and moving. Audiard’s direction and storytelling create a picture as close to art and reality as cinema gets. Through the performances of Jesuthaasan, Srinivasan and Vinasithamby, one lives the tears, frustrations and spirit of Dheepan, Yalini and Ilaya. The war in Sri Lanka lives on not just in memories.

The cinematography of Eponine Momenceau deepens the ambiance with the paddy fields and funeral pyres of Sri Lanka to the smashed lighting strips and marijuana butts littering the housing project. In this Fifth Republic, there is no law, no fraternity. Dheepan, Yalini and Ilaya have to fight for a new beginning. In Dheepan, Audiard asks gracefully and frankly whether people can start again.

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